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Take a look at what's inside:

 

Features:

PART 1 - DEFINING PRODUCTION MUSIC AND ITS USES

Chapter 01 - A Short History of Music in Film & TV

Chapter 02 - The Production Music Market - Who Needs Your Music?

Chapter 03 - Music Libraries

Chapter 04 - Musical Genres Used On TV

PART 2 - COMPOSING MUSIC FOR TV

Chapter 05 - What is a Cue?

Chapter 06 - Writing Production Music Differs from Writing to Picture

Chapter 07 - Write to Your Strength

Chapter 08 - The Composing Process

Chapter 09 - Finding Your Muse - How to Stay Focused

Chapter 10 - Collaboration

Chapter 11 - Quality vs Quantity

Chapter 12 - Managing Your Time

PART 3 - TECHNICAL ASPECTS

Chapter 13 - Recording Your Music

Chapter 14 - Using Sample Libraries

Chapter 15 - Mixing and Mastering

Chapter 16 - Stems and Other Deliverables

Chapter 17 - Backing Up Your Tracks

Chapter 18 - Organizing Your Life

PART 4 - MONEY MATTERS

Chapter 19 - How Much Money Can You Make

Chapter 20 - Performance Rights Organizations (PRO)

Chapter 21 - Contracts and Other Legal Stuff

Chapter 22 - Your Music as a Business

PART 5 - NETWORKING AND SOCIAL MEDIA

Chapter 23 - Promoting Your Music Through Social Media

Chapter 24 - Networking

Chapter 25 - Finding Other Outlets for Your Music

PART 6 - EPILOGUE

Chapter 26 - Where Do I Go From Here
 
  • Foreword by composer Kevin Kiner (Disney’s Star Wars: Rebels, AMC’s hit series Hell on Wheels, CW’s Jane the Virgin, and CBS’s CSI:Miami, and more)

  • Online audio examples

  • Sample contracts

  • Interviews with top production music composers, music libraries, music supervisor, and music attorney

  • Glossary of terms

  • Complete list of genres, styles, and moods used in production music

  • List of virtual instrument companies

  • The most complete book available on becoming a music production composer!
  • example 1

    example 2

         

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